Two friends compare their weekends on a Monday morning
Two friends trade weekend stories before work, one of them visibly short of sleep.
Grammar here means the patterns that decide word order, verb form and sentence shape - the rules learners actually break, not the ones grammar books argue about. Work through it and your sentences start sounding deliberate rather than lucky. This is the largest subject on the site, running from the first present-tense patterns at A1 up to advanced word-order effects at C1, plus a few traps that catch first-language speakers. Start at your own level rather than at the top.
Two friends trade weekend stories before work, one of them visibly short of sleep.
Choose the preposition that places each sentence in time or in space, or decide that none is needed.
One small word separates arriving punctually from arriving with time to spare.
Put the right article in front of each noun, or recognise the cases where nothing belongs there.
The article in front of a noun is chosen by the first sound you hear, never by the first letter.
Point, surface and container: one scale that chooses the preposition for both time and place.
The indefinite article, the definite article and no article at all, with the meaning each choice carries.
How a full clause shortens to its verb form, what the shortened clause can and cannot do, and the classic error.
A phrase at the start of a sentence quietly borrows its subject from the main clause, which is how confident writers end up attributing an action to whatever happens to follow the comma.
Complete the fixed frames that grant the other side a point before taking it back.
A set of frozen openings that let you concede the other side's point in the first half of the sentence so that your own argument lands with full weight in the second.
The singular opener turns up before plural nouns in every kind of English speech. Here is why it happens, when the rule genuinely bends, and what to write.
The three present forms of the most frequent verb in English, and which subject takes which.
Choose the present ending by deciding whether the subject is one other person or thing.
Decide whether the noun after the gap names one thing or several, then pick the matching opener.
How English announces that something exists, and how the noun that follows chooses between the two openers.
What happens to tenses, pronouns and time expressions when you pass on yesterday's words today.
Move the verb one step back in time when passing on what someone said.
Build the regular past form, watching the spelling changes that happen before the ending.
Why the verb gains one small letter when the subject is a single other person or thing - and nowhere else.
One ending turns a regular verb into the past - when to use it, and how the spelling shifts along the way.
Rebuild each sentence after its dramatic negative opening, putting the auxiliary before the subject.
The formal word-order swap that follows a fronted negative phrase, and why it makes writing sound emphatic.
The nouns that change inside the word to form a plural, and the few that do not change at all.
Word sets that sound the same but are spelled differently, the slips fluent writers make at speed.
Which verbs are followed by the -ing form and which by the to-form, learned pair by pair.
Complete real conditions and their results, using the right form in each half of the sentence.
How English links a real future possibility to its result, and why one half of the sentence stays in the present.
Decide whether each sentence needs the present perfect or the past simple, then check the answers.
The ten irregular past forms you will meet every single day, with both past forms side by side.
An action that started in the past and is still going on now.