Question tags: the tune decides whether you are asking or checking
The same question tag can check or genuinely ask, and only the tune of the voice tells the listener which.
The same question tag can check or genuinely ask, and only the tune of the voice tells the listener which.
In a British meeting the softer the wording, the firmer the objection; this lesson teaches you to hear a polite sentence at full strength.
Content words carry the rhythm of spoken English; the grammar words between them shrink to fit.
Plural, past and third person all live in the final consonant, so dropping it drops the grammar.
One small word separates arriving punctually from arriving with time to spare.
The article in front of a noun is chosen by the first sound you hear, never by the first letter.
A good interview answer is a tiny story in four fixed parts, and most weak answers skip one of them.
One pair of letters spells two different consonants, and every substitute learners reach for is already a real word.
The two-part verbs a beginner meets in the very first week, and why the small word that follows the verb is never decoration.
Every greeting also announces how close you think you are to the other person, which is why a warm one can misfire.
Fixed expressions behave like single vocabulary items: their verb bends into any tense, while every other word is locked and no synonym may be substituted.
How formal written English lets you pass on what people are claiming while quietly making clear that you are not the one claiming it.
A phrase at the start of a sentence quietly borrows its subject from the main clause, which is how confident writers end up attributing an action to whatever happens to follow the comma.
A set of frozen openings that let you concede the other side's point in the first half of the sentence so that your own argument lands with full weight in the second.
How English announces that something exists, and how the noun that follows chooses between the two openers.
Where the object goes in two-part verbs - and the one position a pronoun is never allowed to take.
What happens to tenses, pronouns and time expressions when you pass on yesterday's words today.
Why the verb gains one small letter when the subject is a single other person or thing - and nowhere else.
Why direct commands fail in work emails, and which softening frames native writers use instead.
One ending turns a regular verb into the past - when to use it, and how the spelling shifts along the way.
How to reword an essay prompt so the examiner sees your language, not the question's.
How moving the stress from one syllable to the other turns a thing into an action in dozens of common word pairs.
The formal word-order swap that follows a fronted negative phrase, and why it makes writing sound emphatic.
Two everyday verbs share the work that a single verb does in most other languages - here is how English splits it.
How English links a real future possibility to its result, and why one half of the sentence stays in the present.
One written past ending, three spoken sounds - and the simple rule your mouth already wants to follow.
An action that started in the past and is still going on now.